American University Historic Sheet Music Collection

Collection Title: American University Historical Sheet Music Collection

Description: Contains digital images and catalog descriptions of public domain sheet music selected from AU's 2,500 piece collection of historical sheet music. The digitized collection has a focus on late 19th-century and early 20th-century popular songs.

Pages

: 4 balladen von Allan Cunningham; Contents: Gordon von Brackley ; Der Geächtete ; Das Mädchen von Inverness ; Carlisle-Thor.

: À la Nuit; Nuit sereine, o nuit bienfaisante!, à Madame Marie Bataille

: Abide with me; Abide with me! fast falls the eventide; The darkness deepens; Lord with me abide!, C Major, Dedicated to and sung by Madame Clara Butt

: Abschieds-lied; Jo ti lascio o cara!, Lassen muss ich dich Geliebte

: Absent; O silence des nuits dont la voix seule est douce

: Absent; Sometimes between long shadows on the grass, With words by Catherine Young Glen, with permission ; also published with Violin Obligato

: Across the far blue hills, Marie; Across the far blue hills, Marie, The mellow moon looks wistfully

: Adieux á la montagne; Adieu, montagnes aux doux charmes, Chantee par Melle. Franchelli

: Adieux de Marie Stuart; Déja la nuit s'avance il est temps de partir, Marie Stuart, E Sharp Major, Romance chantée par Mme. Stolz.

: Adolf Jensen: Six songs; Contents: Lehn' deine wang' an meine wang' (Oh, lay thy cheek on mine, dear love) ; O lass dich halten gold'ne stunde (Stay yet awhile, thou golden hour) ; Weisst du noch? (Dost thou know?) ; Marie ; Murmelndes lüftchen (Murmuring zephyr) ; Waldesgespräch (Loreley)

: Adoration; Maiden, do you wonder why my eyes so deeply gaze in thine?, To my wife

: After love's death; After the sunshine, night

: Agnus dei; Agnus Dei! qui tollis peccata mundi, E flat major, For high voice in Latin and English, with violin or cello. Obbligato by Louis A. Ritter.

: Agnus dei; Agnus Dei! qui tollis peccata mundi, E flat major, For Mezzo-Soprano or Baritone with piano or organ. Lyrics in Latin and English.

: Agrippina; Bel piacere é godere fido amor, Ev'ry pleasure in full measure true love imparts, G flat major, English version by Dr. Th. Baker. The accompaniment arranged and amplified for Concert use by Frank Bibb.

: Agrippina; Bel piacere é godere fido amor, Ev'ry pleasure in full measure true love imparts, G flat major, English version by Dr. Th. Baker. The accompaniment arranged and amplified for Concert use by Frank Bibb.

: Ah! I have sighed to rest me; Ah! I have sigh'd to rest me Deep in the quiet grave, Ah! che la morte ognora è tarda nel venir, Il Trovatore, F major, English words by C. Jefferys

: Ah! Je veux vivre; Je veux vivre Dans le reve qui m'enivre, English words by H. Millard.

: Ah! mio cor!; Ah! mio cor!, O mein Herz!, Händel-Renaissance, Dedicated to Mafalda Salvatini, German translation by Edith Müller

: Ah, moon of my delight; Ah, fill the cup! What boots it to repeat How time is slipping underneath our feet!, In a Persian garden, G Major, From the song-cycle In a Persian garden ; High voice ; from the Rubaiyát of Omar Khayyám

: Ah, moon of my delight; Ah, fill the cup! What boots it to repeat How time is slipping underneath our feet!, In a Persian garden, G Major, From the song-cycle In a Persian garden ; High voice ; from the Rubaiyát of Omar Khayyám

: Ah, moon of my delight; Ah, fill the cup! What boots it to repeat How time is slipping underneath our feet!, In a Persian garden, F Major, From the song-cycle In a Persian garden ; Medium voice ; from the Rubaiyát of Omar Khayyám

: Ah non credea mirarti; Ah! non credea mirarti si presto estinto, o fiore., Sonnambula, La, French lyrics appear below the Italian.

: Ah! Perfido!; Ah! perfido, spergiuro, barbaro traditor, tu parti?, English lyrics printed below the Italian.

: Ah! sweet mystery of life; Ah! sweet mystery of life, at last I've found thee, Ah! I know at last the secret of it all, Naughty Marietta, (The dream melody)

: Ah! 'tis a dream; My native land again once meets my eye, The old oaks raise their boughs on high, Ich hatte einst ein schönes vaterland, der Eichenbaum wuchs dort so hoch, G Major, Gems of German Songs. For Soprano or Tenor.

: Ah! 'tis a dream; My native land again once meets my eye, B flat major

: Ah! 'tis a dream; My native land again once meets my eye, The oaks raise their boughs on high, Ich hatte einst ein schönes Vaterland, der Eichenbaum wuchs dort so hoch, G Major, Gems of German Songs. For Soprano or Tenor.

: Ah, twine no blossoms; Ah, twine no blossoms fair and fragrant, O, winde keine duft'ge blüte, Translated from the Russian of D. Rathaus by Deems Taylor ; German version by Lina Esbeer., Original key

: Aida; Fu la sorte dell' armi a' tuoi funesta povera Aida!

: Aime-moi!; Viens a moi, car ton charme ese etrange, A Monsieur Charles Gounod

: Aime-moi, bergère; Aime-moi bergère et je t'aimerai ne sois point lègére

: Aimer c'est vivre!; Laisse, que je respire, Duettino pour soprano contralto or Basso. Italian lyrics printed beneath French.

: Air; Il a perdu matrace Ah! pauvre Philémon!, Philemon et Baucis, Transposé pour Mezzo-Soprano.

: Air; La feuille s'envole, elle est frêle, Suzanne, Chanté par Mlle. Bilbaut Vauchelet.

: Air; Jours de mon enfance ôjours d'innocence, Prè aux clercs, Opéra comique en trois actes. Cover illustration by A. Barbizet.

: Air; Pour ta souffrance j'ai foi d'avance, Don Juan, Chante par Melle Battu

: Air de chimene; De cet affreaux combat je sor l'âme brisée!, Le Cid, C major, Poème de MM d'Ennery, Gallet et Blau.

: Air de gaëtan; Ô le céleste émoi!, Enguerrande (drame lyrique en quatre actes, d'après le poëme dramatique de Émile Bergerat), For Tenor or Soprano. Cover illustration by Barbizet.

: Air de la prise de jericho; D'une fausse pitie je ne fus point sduite

: Air de Margared; De tous côtés j'aperçois dans la plaine Les soldats par Karnac sous nos murs amenés!, Roi d'Ys, Cover illustration by Barbizet.

: Air de Rozenn; Vainement, je parle de l'absence eternelle Et de l'avenir sans espoir, Roi d'Ys, Cover illustration by Barbizet.

: Air de Rozenn; Taistoi, taistoi, Margared!, Roi d'Ys, Cover illustration by Barbizet

: Air d'Orphée; Malheureaux! qu'aije fait?, Orphée

: Air du rossignol; Au bord du chemin qui passe à ma porte, Les Noces de Jeannette, G Major, "Chanté par Melle félix Miolan"

: Air et trio; Un soir, j'er rais sur le rivage, revant de vivre en ton doux esclavege, Phryné ; Phryne

: Alas; Alas! how easily things go wrong

: All aboard for dixie land; My baggage is waitin', My heart syncopatin', Dixie! All aboard the boat for Dixie, Dixie!, High Jinks, From Arthur Hammerstein's musical farce "High Jinks" as sung by Elizabeth M. Murray.

: All alone; Hello Central, Hello Central, give me 603, All alone, All alone, nobody here but me., Harry Von Tilzer's great telephone songs. -- Cover., Cover color illustration of a young woman talking on a candlestick telephone.

: All for you; The love in my heart is as strong as the hills

: All Soul's Day; Place near me here the fragment migonette The last red asters bear them not away, Stell auf den Tisch die duftenden Reseden, die letzten roten Astern trag' herbei, E Major, For Mezzo-soprano or Baritone.

: All soul's day; Stell auf den Tisch die duftenden Reseden., Place there the flowers with all their fragrant glory., Vocal beauties of all nations. A new collection of popular and classical songs with pianoforte accompaniment. Ged. v.H.v. Hilm. Edited by H.W. Nicholl.

: All Soul's Day; Place near me here the fragrant mignonette The last red asters bear them not away, Stell auf den Tisch die duftenden Reseden, die letzten roten Astern trag'herbei, E Major, For Mezzo-Soprano or Baritone

: Almighty; Great is Jehovah the Lord, Gross ist Jehova der Herr, C major

: Almons-nous; Aimons nous et dormons Sans songer au reste du monde, A Monsieur Vergnet

: Alpine rose; Hoch auf dem Berg, im brannen Moose, High on the mountain's summit lonely

: Als die alte Mutter; Songs my mother taught me in the days long vanish'd ; Als die alte Mutter mich noch lehrte singen, D major, Gipsy melody; Superior Ed. 5192, Artist Edition edited and annotated by J. van Broekhoven. Lyrics in English and German

: Als die alte mutter; Als die alte Mutter mich noch lehrte singen, D major, Gipsy melody. For soprano, or tenor. English version by Natalie Macfarren. Lyrics in German and English.

: Als die alte Mutter; Als die alte Mutter mich noch lehrte singen ; Songs my mother taught me in the days long vanish'd, D major, Gipsy melody. For Soprano, or tenor. English version by Natalie Macfarren. Lyrics in German and English.

: Always; You ask me if this love of mine, sweetheart, will ever die, Always, always, I will love you always, Dedicated to our friend, Fred Rycroft., C major, For Baritone.

: America, here's my boy; There's a million mothers knocking at the nations door, A million mothers, yes and there'll be millions more, America, I raised a boy for you. America, You'll find him staunch and true, The sentiment of every American mother. Cover illustration by André C. De Takacs.

: America Is Proud of You; Here's to you girls across the ocean, You are careing for our loved ones inthe battle 'cross the sea, On cover: "Dedicated to the girls who are sacrificing their fortunes & lives fighting in the cause of humanity and liberty at home and abroad.", Cover illustration in red, white and blue of Statue of Liberty by W.M. Fisher., Recitation, All we can say is "God bless you." (America is proud of you), May be recited while Chorus is played slowly and softly. -- Back cover.

: Ami le coeur d'Hélène; A[m]igo! a[h] parli a un core, Ami, le coeur d'Hélène, My friend! this heart sincerely, Les Vepres Siciliennes

: Amour de moi; L'amour de moi sy est enclose De dans un joli jardinet, Chanson du XVe siècle. Transcrits et harmonisés par Julien Tiersot. Cette gracieuse chanson se trouve notée dans un grand nombre de chansonniers du XVe et du XVIe siècle sons des formes plus ou moins différentes.

: Angel at the window; I stood at an open window, and gazed out over the sea;, G Major, Words by Miss Wilhemina Baines.

: Angel of light; There were shepherds abiding, abiding the fields., To Mrs. Anne Louise Cary-Raymond. New York., F major, Sacred duet for Alto and Tenor in F. Christmas.

: Angel of light; There were shepherds abiding, abiding in the fields., To Mrs. Anne Louise Cary-Raymond. New York., Sacred duet for Alto and Tenor in F major., F major

: Angels; Angels bright are hov'ring near, Solos for church service

: Angels ever bright and fair; O worse than Death indeed lead me ye guards, From Theodora

: Angels, roll the rock away; And the angel said unto them: Fear not ye, for I know that ye seek Jesus, Text from Bible and Hymnal

: Angel's serenade; What lovely tones awaken me, G major, For Soprano or Tenor. Lyrics in English and Italian. Includes violincello or violin or flute part.

: Angel's serenade; O quali mi risvegliano, For Soprano. Lyrics in Italian and English. English adaptation by H. Millard.

: Anklänge; Hoch über stillen Höhen stand in dem Wald ein Haus, Lyrics in German and English. English translation by E. D'Esterre-Keeling.

: Anneau d'argent; Le cher anneau d'argent, que vous m'avez donné, à Madame Conneau, F major, For tenor or soprano. Cover illustration by P. Borie.

: Anvil chorus; Look, now the rays of the sun streaming bright, Sheds its radiance around, Trovatore, The popular gem from Verdi's grand opera rearranged as vocal and piano solo. Unexcelled edition.

: Any little girl can make a bad man good (and a good man bad, they say); Ever since this world began, girls have puzzled ev'ry man, Any little girl can make a bad man good, and a good man bad, they say, "As introduced by Sidney Phillips at the New York Winter Garden"

: Appel du printemps; Lovers, sweethearts, come follow, Follow me where the woods resound with song, Amoureux, amoureuses, Suivez moi dans les bois retentissants!, Specially edited and translated for The John Church Co.

: Apres l'hiver; Lors qu' à l'hiver sucede le printemps, Cover engraving of the performer Caroline-Marie Carvalho by Barbizet from a photograph by Pierre Petit.

: April sorrow; Sad April now again is here, Voici qu'avril est de retour,, C Minor, Love song. Brunette. English words by Philip Woolf, M.D.

: Arabian song; Dans le sé́rail sont mes amours, Many my brides! All are so fair!, E minor, English words by Charlotte H. Coursen

: Ariette; O légère hirondelle Messagère fidèle, Mireille, Tiré du poëme de F. Mistral ; Transposée pour Mezzo-Soprano.

: Arioso; Ah! mon fils sois beni, Prophete, Chante par Mme. Viardot

: Arioso (Canio); Recitar! Mentre preso dal delirio non so più quel che dico e quel che faccio!, Pagliacci = Punchinello, E Minor, English version by Henry Grafton Chapman

: Arriete; From \Mireille\. Transposed for Mezzo Soprano., O legere hirondelle messagere fidele

: Arriete; From "Romeo et Juliette". Transposed for Mezzo Soprano., Je veuz vivre dans le reve qui in'enivre

: Art of phrasing; Soh si mi la soh soh la soh si, Art of phrasing: 30 vocalises by C. Gloggner Castelli. Edited by G. Federlein. Op. 9 Book I. For soprano.

: Art thou troubled?; Art thou troubled? Music will calm thee, F major, from "Rondelinda"

: As the dawn; As the dawn to waiting skies As the day to wakeful eyes, G major, For Soprano or tenor in G. German lyrics printed beneath English. English version by Ellis Walton.

: Ask nothing more; Ask nothing more of me, Sweet, E Flat Major, Words by A.C. Swinburne.

: At dawning; When the dawn flames in the sky I love you, G flat major, For medium voice. Includes violin obbligato part.

: At dawning; When the dawn flames in the sky I love you, F major, For lower medium voice

: At dawning; When the dawn flames the sky, A flat major, For high voice in A flat.

: At dawning; When the dawn flames in the sky, A flat major, Solo for high voice, in A flat (original key) "131-40174"

: At dusk; When the shadows lengthen and the sun hangs low, For Alto or Baritone

: Au printemps; Le printemps chase les hivers et sourit dans les arbres verts

: Au printemps; Le printemps chase les hivers et sourit dans les arbres verts, C major

: Au revoir, but not good bye, soldier boy; Though you're leaving me today, never fear, Au revoir but not good-bye, soldier boy, Cover art by E.E. Walton.

: Aubade; L'aube nait, et la porte est close! Ma belle, Ma belle pourquoi sommeiller?, Poésie de Victor Hugo, Musique d'Eugène Diaz. Ténor ou soprano. Imp. E. Delay, R. Rodier. 49. Cover illustration by L. Denis.

: Auch ich war ein jüngling; Auch ich war ein Jüngling mit lokkigem Haar an Mut, wie an Hoffnungen reich, Waffenschmeid, D Major, Operngesänge Nr. 92 ; Auch ich war ein Jüngling, Lied des Stadinger aus: Der Waffenschmeid

: Autumn; Golden the woods and blue the sky, Come, while the woods are ablaze 'Tis Autumn time, From the writers of "Hiawatha" "Moonlight" "Silverheels" etc.

: Ave maria; Ave Maria, Sacred melody adapted to the First Prelude of J.S. Bach. English text adapted from the first chapter of St. Luke., F Major

: Ave Maria; Ave Maria, piena di grazia, Ave Maria! gratia plena, Hail Mary, Hail! Full, full of grace, A flat major

: Ave maria; Ave Maria, gratia plena, O loving Father Hear my pray'r, F Major, Adapted to the Intermezzo from "Cavalleria Rusticana".

: Ave Maria; Ave Maria! Holy Maid!, Ave Maria! Jungfrau mild, Ave Maria! gratiaplema, B flat major

: Ave maria; Ave Maria, E flat major, Sacred melody adapted to the First Prelude of J.S. Bach. English text adapted from the first chapter of St. Luke.

: Ave Maria; Ave Maria! Reine des duex!, Dèdièe à Mademoiselle Falcon par l'Auteur des paroles.

: Ave maria; For Soprano.

: Ave maria; Ave Maria, Sacred melody adapted to the 1st Prelude by J.S. Bach, Unexcelled edition

: Ave maria; Ave Maria, E flat major, Sacred melody adapted to the First Prelude of J.S. Bach. English text adapted from the first chapter of St. Luke.

: Ave Maria; All is still! The breath of day dies away, Alles still! Des Abends Hauch schweigt nun auch, To Sister Mary Agnes Gubert. Convent of the Visitation Mt. de Chantat, English words by S.E.R., cover illustration by Gillingham.

: Awake little flower; Are you awake little flow'r little dear, F major

: Ay-ay-ay; Si alguna vez en tu pecho ay ay ay, Should ever when years have fled, ay ay ay!, Creole song. Translated from the Spanish by Cecil Cowdrey. Victor record No. 64951.

: Aÿ chiquita; On dit que l'on te marie, Mehan dicho de que te casas, Compuesta y dedicada a la Snta. Dona Maria del Carmen de Mendoza

: Ballad of trees and the master; Into the woods my Master went, To Mr. Ffrangcon Davies., C minor, Awarded 1st prize in Class IV, Musical Record Competition, 1899. For low voice.

: Ballade; Wenn sich die Sonn'im Meer begraben, Chaque soir Jeanne sur la plage, Karl VI.

: Ballade Serbe; Deux amants s'aimaient sans mystere, Á Gaston De Saint Valry

: Ballade slave; De ses feux, couleur d'acier, Composée en 1831. For Soprano or Baritone. French lyrics by Victor Wilder. Cover illustration by L. Denis.

: Ballatella; Qual fiamma avea nel guardo!, Pagliacci, English version by Henry Grafton Chapman

: Barbier de Séville. No. 4; Rien ne peut changer mon àme, Una voce poco fà, Traduction Française Castil-Blaze

: Barcarolle; En se jouant sur la vague en dormie

: Be glad, o ye righteous; Be glad, O ye righteous, and rejoice in the Lord, To Susan Hawley Davis, F Major, Sacred song composed by Bruno Huhn. Lyrics from Psalm 32:11, Psalm 30:5, Psalm 60:17, Psalm 145:2, I Timothy 1:17.

: Be glad, o ye righteous; Be glad, O ye righteous, and rejoice in the Lord, To Susan Hawley Davis, C Major, Sacred song composed by Bruno Huhn. Lyrics from Psalm 32:11, Psalm 30:5, Psalm 60:17, Psalm 145:2, I Timothy 1:17.

: Be still and know; No matter where your path may be, on stormy land or raging sea, B Flat Major

: Be thou my light; O thou to whose all searching sight, To Miss Rhea Mills

: Be thou my light; O thou to whose all searching sight, To Miss Rhea Mills

: Beautiful night; Flow'rs lie sleeping soft in the meadow

: Beautiful Ohio; Long, long ago, someone I know Had a little red canoe, Drifting with the current down a moonlit stream, Adapted from the waltz of the same name

: Beautiful song-bird; Beautiful song-bird plum'd for the sky, soaring a-loft in the light, Beautiful song-bird, beautiful song-bird, waking I list to your carol so sweet

: Beaux yeux que j'aime; Il est des étoiles aux cieux, C Major, Poésie de Th. Maquet

: Because; Because you come to me with naught save love, Lorsque j'entends ton pas, comme en un rêve

: Because; Because you come to me with naught save love, Lorsque j'entends ton pas, comme en un rêve, A flat major

: Because; Because you come to me with naught save love, Lorsque j'entends ton pas, comme en un rêve, C sharp major

: Because; Because you come to me with naught save love, Lorsque j'entends ton pas, comme en un rêve, C sharp major

: Because; Because you come to me with naught save love, Lorsque j'entends ton pas, comme en un rêve, B flat major

: Because I love you, dear; Because I love you, dear, D-flat major

: Because you're you!; Love is a queer little elfin sprite, Blest with the deadliest aim!, Red mill, Solo. From The Red Mill.

: Believe me if all those endearing young charms; Believe me if all those endearing young charms, E-flat major, Thomas Moore poem set to Barouque air "My lodging it is on the cold ground" (Matthew Locke, composer)

: Bell-man; Past three o'clock, past three o'clock, no moon and a stormy night., E flat major, Stratford, April 23, 1616

: Belle Madeleine; La Belle Madeleine Suivait Jésus qu'on menait a la croix, Contes divins, A Mademoiselle Mary Kelly, G Minor, Cover illustration by P. Borie.

: Belle nuit; Belle nuit, ô nuit d'amour, Fairest night of starry ray, Les Contes d'Hoffmann, English version by M. Louise Baum

: Belle nuit; Belle nuit, ô nuit d'amour, Fairest night of starry ray, Les Contes d'Hoffmann, English version by M. Louise Baum.

: Belle nuit; Belle nuit, ô nuit d'amour, Fairest night of starry ray, Les Contes d'Hoffmann, English version by M. Louise Baum

: Belle nuit; Belle nuit, ô nuit d'amour, Fairest night of starry ray, Les Contes d'Hoffmann, English version by M. Louise Baum.

: Bells of St. Mary's; The bells of St Mary's at sweet eventide Shall call me beloved, to come to your side, Bells of St Mary's Ah! hear they are calling, F major

: Beloved, it is morn; Beloved, it is morn! A redder berry is on the thorn, F major

: Beloved, it is morn; Beloved, it is morn! A redder berry on the thorn, F major

: Bend low, o dusky night; Bend low, o dusky night, and give my spirit rest, A major

: Berceuse; Petit pied, petit pied rose de mon enfant endoremi, A Mademoiselle Elise Chabrier

: Berceuse de Jocelyn; Cachés dans cet asile oú Dieu nous a conduits, Jocelyn, B flat major

: Berceuse de Jocelyn; Cachés dans cet asile oú Dieu nous a conduits, Jocelyn, A flat major, Cover illustration by E. Buval.

: Best of all; Tis all the world to have thee near, C major

: Beyond the shadows; There is life beyond the shadows, Duet for soprano and alto

: Bird of blue; All thro' life we're looking for you, little bird of blue!, E flat major

: Bird of the wilderness; My heart, the bird of the wilderness, has found its sky in your eyes, To Miss Alma Gluck., D flat Major

: Birdling; The sky is bright, the air is sweet, For Soprano. Lyrics in English, French and German.

: Birth of morn; An angel, robed in spotless white, Bent and kissed the sleeping night, F Major

: Birth of morn; An angel, robed in spotless white, Bent down and kissed the sleeping night, E flat Major

: Birthday; My heart is like a singing bird whose nest is in a watered shoot., C major

: Birthday; My heart is like a singing bird, To Mrs. Corinne Rider-Kelsey

: Birthday of a King; In the little village of Bethlehem, Alleluia! O how the angels sang, To Mr. Francis Fischer Powers, A Flat Major, For baritone and chorus.

: Birthday of a king; In the little village of Bethlehem, To Mr. Francis Fischer Powers M., A Flat Major, Words printed as text on pg. 1.

: The blind girl's song; Voce di donna o d'angelo, Ah! 'tis the voice of Angel bright, La Gioconda, English version by F.W. Rosier., English translation printed below Italian.

: Blind girl's song; Voce di donna o d'angelo, Ah! 'tis the voice of Angel bright, English version by F. W. Rosier., English translation printed below Italian.

: Blue diamonds; Little blue diamonds heaven sent to me, Dedicated to my Baby Margaret

: Blue eyed blond haired heart breaking baby doll; Ev'ry vampire I ever met, She's just a blue-eyed, blond haired, heart-breaking baby doll, that's all, Successfully sung by the "Courtney Sisters"

: Boléro; Leggere invisibile Qual aura sui fiori

: Bolero; Nous venions de voir le taureau, Poésie de Alfred de Musset

: Bonsoir suzon!; La rose vient de s'effeuiller, A Madame Alexandre Taskin.

: Border Ballad; March, march, Ettrick and Teviot dale, Why the deil dinna ye march forward in order?, A minor

: Bouton de rose; Bouton de rose, Tu veins à peine de fleurir, Poésie de la Princesse Constance de Salm. Transcrit avec de Piano par J.B. Wekerlin.

: Bow down thine ear; Bow down thine ear, O Lord, O Lord hear me, To Fräulein Luise Schmidt, Lyrics from Psalm 86.

: Bow down thine ear; Bow down thine ear, O Lord, O Lord hear me, To Fräulein Luise Schmidt, Lyrics from Psalm 86.

: Breathe on us from on high; Faith! Breathe on us from on high

: Breathe on us from on high; Faith! Breathe on us from on high

: Brighter days will come; Brighter days will come again

: Brindisi; Viva il vino spumeggiante, Hail! the red wine richly flowing, G Major, From the opera "Cavalleria Rusticana"

: Brook; With many a curve my banks I fret By many a field and fallow, To join the brimming river For men may come and men may go, Music by Dolores, Words by Tennyson.

: Brown bird singing; All through the night there's a little brown bird singing, A flat major

: Brown bird singing; All through the night there's a little brown bird singing, A flat major

: Brown bird singing; All through the night there's a little brown bird singing, A flat major

: Brune Thérèse; Thérèse ma miguonne veuxtu donner ton coeur, á Madame Cinti-Damoreau

: Bubbling over; In the human heart there's a hope that glows, like the budding rose

: Buccaneer drinking song; Re-echo now, you solemn dunes, The lover sighing doleful tunes, To Louis D. Tourtellot Esq., Utica, N.Y.

: But lately in dance I embraced her; But lately in dance I embrac'd her, While music's fond spell wrapp'd us 'round, Sie schwebt' mir noch kürzlich im Arme umrauschet von Zauvermusik, D flat major, Russian poem by A. Fet. Translated from the German of E. Esbeer by M. L. Baum.

: But the lord is mindful of his own; And he journey'd with companions towards Damascus, St. Paul, G major

: But the Lord is mindful of His own; And he journey'd with companions towards Damascus, St. Paul

: Butterflies; Butterflies, butterflies, falling like shimmering dust from sunny skies, F major, To Miss Adelaide Fischer

: Buy a Liberty Bond for the baby; Have you got a baby boy?, Buy a Liberty Bond for the baby, Words by Ed. Moran., Cover art of baby on a Liberty Bond by E.H. Pfeiffer, N.Y.

: By the old Ohio shore; Love's in the air I'll take you where you fell in love with me, Let your memory stray back Ohio way, Cover illustration by Starmer.

: By the sea; Au loin les feux mourants du jour, Beneath the ev'ning's last sweet smile, Das Meer erglanzte weit hinaus

: By the sycamore tree; "To whit!" says the old gray owl in the sycamore tree, "Woo Sue!" By the sycamore tree, Roger Brothers in London, Vocal & instrumental numbers from the new musical comedy The Rogers Bros. "In London". Music by Max Hoffman & M. Melville Ellis. Book by J.J. McNally, lyrics by George V. Hobart and Ed. Gardenier. Cover portraits of Gus and Max Rogers.

: By the waters of Babylon; By the waters of Babylon we sat down and wept, When we remember'd thee, If I forget thee, O Jerusalem, Respectfully inscribed to Miss Susan S. Warren. New Brunswick, N.J., G Major

: By the waters of Babylon; By the waters of Babylon we sat down and wept, When we remember'd thee, If I forget thee, O Jerusalem, Respectfully inscribed to Miss Susan S. Warren. New Brunswick, N.J., G Major

: By the waters of Minnetonka; Moon deer, How near Your soul divine, To Mr. Alfred Williams, An Indian Love Song ; with violin or flute ad lib.

: By the waters of Minnetonka; Moon Deer, How near Your soul Divine, To Mr. Alfred Williams, An Indian Love Song ; with violin and flute ad lib

: Ça fait peur aux oiseaux; Ne parlez pastant, Lisandre, Couplets de l'oiseliere. Couplets tirés de l'opérette Bredouille. For tenor or soprano. Cover illustration by Barbizet (1873).

: Ça fait peur aux oiseaux; Ne parlez pastant, Lisandre, Couplets de l'oiseliere. Couplets tirés de l'opérette Bredouille. For contralto or baritone. Cover illustration by Barbizet (1873).

: Call me thine own; Als dunkle Nacht mit ihrem Schleierum hullte, Quand de la nuit l'epais nuage, Couvrait me, Call me "thine own," name fond endearing, like music, From L'Eclair

: Call me up some rainy afternoon; Nellie Green met Harry lee, Call me up some rainy afternoon, I'll arrange for a quiet little spoon, Issued with various performer portraits on the cover; here, Mary Gibson. Cover illustration by Frevy.

: Call of love; O come to me, my darling

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